Streaming The Fearless Vampire Killers Online

The Fearless Vampire Killers (1967)The Fearless Vampire Killers (1967)iMDB Rating: 7.3
Date Released : 1 June 1967
Genre : Comedy, Horror
Stars : Jack MacGowran, Roman Polanski, Alfie Bass, Jessie Robins
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The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village...

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Review :

Dance with Vampires!

The title "fearless vampire killers" it's not so good as "Dance of the Vampires",outside U.S. this is the original title

I always will remember this film as "Dance of the Vampires" ALSO,CONGRATULATIONS to Mr Polanski for the Palme D' Or, he deserves it(without him just cinema "boring")

I enjoyed poetic scenes such as like moment in Sarah's bath comparing the textures of first soap bubbles, then falling snowflakes, and finally crimson blood. when Alfred(Polanski) carries his master across the castle battlements remind me of Polanski early short films. Krystov Komeda's music has been acclaimed as "the most innovative and haunting score ever devised for a horror movie" by the heavyweight Aurum Film Encyclopedia. Krystof Komeda's wondrous music, with its weird choral effects and little melodies Komeda's score communicates the Kafka-like isolation of the setting and the characters

Polanski chose some of the finest English cinema craft artists to work on the film: cameraman Douglas Slocombe, production designer Wilfrid Shingleton Polanski engaged noted choreographer Tutte Lemkow, who played the actual Fiddler in FIDDLER ON THE ROOF, for the film's climactic Danse Macabre minuet.

Sharon Tate as Sarah was delightful(we should remember her in a good way,as a decent actress and person,her scene with Polanski is really cool ,especially "the bite scene") Jack MacGowran as Professor Abronsius is just great Polanski's films often deal in contrasts of master and servant, the empowered and the powerless. The supposedly benign Abronsius bullies Alfred for his own purposes, just as the vampires consider all of humankind a resource to be harvested.

The character called Shagal got the best lines in the movie,when A woman thrusts a crucifix in his face, only for Shagal - a Jewish rather than a Christian vampire - to go "Oy-yoy! You got the wrong vampire" and bite her anyway Count Von Krolock (Ferdy Mayne, who plays the Count)he looks really as a Nosferatu or a man that needs Transfusion!.

Also funny is Herbert, the openly gay vampire who is interested in Alfred rather than Sara, the sexual deviations implicit in early Hammer films like The Brides of Dracula (1960) and Kiss of the Vampire (1964) are brought out. Hammer would increasingly exploit this in their lesbian

Monkeys, Go Home! (1967)Monkeys, Go Home! (1967)iMDB Rating: 5.8
Date Released : 8 February 1967
Genre : Comedy, Family
Stars : Maurice Chevalier, Dean Jones, Yvette Mimieux, Bernard Woringer. Henry Dussard, a young American, inherits a picturesque but badly neglected olive farm in southern France and is determined to make it operational again despite cautionary advice from the local priest and a pretty villager. Desperate for laborers, the inventive Dussard turns to the zaniest crew of olive pickers ever recruited - four mischievous monkeys! As former members of an Air Force space ..." />
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Henry Dussard, a young American, inherits a picturesque but badly neglected olive farm in southern France and is determined to make it operational again despite cautionary advice from the local priest and a pretty villager. Desperate for laborers, the inventive Dussard turns to the zaniest crew of olive pickers ever recruited - four mischievous monkeys! As former members of an Air Force space team, these intelligent chimps quickly pick up on their new responsibilities - but prove to have a turbulent effect on the local townspeople.

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Review :

Anemic Disney...

Residents of a French village attempt to stop an American from using monkeys in place of human workers on his newly-acquired olive farm. Poor screenplay from G.K. Wilkinson's book "The Monkeys" actually wants us to sympathize with the land-owner, who should perhaps be forced to do his own olive picking! Forgettable Disney product with the expected slapstick interludes is well-made, if not fresh. OK performances by Dean Jones, Yvette Mimieux and wily Maurice Chevalier (in his final film), but the argument at the center of the story isn't expanded upon, and the romance which sketchily develops between Dean and Yvette seems like an afterthought as well. Obviously, this was aimed at a younger crowd, but why not give kids something to think about as well as to laugh at? *1/2 from ****

Streaming Cottonpickin' Chickenpickers Online

Cottonpickin' Chickenpickers (1967)Cottonpickin' Chickenpickers (1967)iMDB Rating: 5.1
Genre : Comedy
Stars : Del Reeves, Hugh X. Lewis, Sonny Tufts, David Houston. Darby Clyde Fenster and Jerry Martin are a pair of penniless nincompoop-drifters who hop a freight and theyre on their way to Florida. Here is where our intrepid heroes find themselves facing one comic situation after another in this gloriously loopy Southern fried comedy-with-music. Their troubles only begin when they pass by a chicken farm and are overtaken by their pangs of hunger. The sneak ..." />
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Darby Clyde Fenster and Jerry Martin are a pair of penniless nincompoop-drifters who hop a freight and theyre on their way to Florida. Here is where our intrepid heroes find themselves facing one comic situation after another in this gloriously loopy Southern fried comedy-with-music. Their troubles only begin when they pass by a chicken farm and are overtaken by their pangs of hunger. The sneak into the hen house and haplessly attempt to nab some birds. This does not endear them to the farms owners and what comes next is positively too goofy to describe! The film is crammed with a pleasing blend of down-home humor and finger-popping country music. Sonny Tufts, whose reputation was ruined because of his fondness for the bottle, parodies himself in his role as the moonshine-swigging Cousin Urie (and mercifully ends his Hollywood career with this film). Boxing champ/movie comic Slapsie Maxie Rosenbloom appears as an ex-prizefighter-turned-mailman who is aptly described as "the prize ...

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Watch The Incident Online

The Incident (1967)The Incident (1967)iMDB Rating: 7.9
Date Released : 26 January 1968
Genre : Crime, Drama
Stars : Victor Arnold, Robert Bannard, Beau Bridges, Ruby Dee
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Stark melodrama about two thrill seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than helping each other and pray that they won't be next. But it's going to take a lot more than prayer to end this nightmare of fear and violence. Film debut of both Martin Sheen and Tony Musante as the hoodlums.

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Review :

Subway rider's worst nightmare depicted here. Brief review.

It's the subway ride we all dread, closed in for many minutes with street hoods. In the early a.m hours, petty criminals (Martin Sheen, Tony Musante) board a crowded subway train after mugging a helpless old man. Inbetween subway stops, the hoods terrorize the passengers in the subway car. They hit upon the women, taunt the male passengers into fights. Finally, a young man in uniform (Beau Bridges) becomes the first to defend themselves, and gets into a harrowing fight with Musante. One of the first attempts at a low budget independent film. Director Larry Pearce gets excellent performances out of the all-star cast. Some of the dialog is a rather forced, cliched, and the time period between subway stops go on way too long. But there are fine moments (Musante verbally tearing apart passenger Brock Peters, Sheen scaring the daylights out of boarding passengers when the subway DOES stop) The film makes one think of the more exciting, and more thought out "Taking Of Pelham One Two Three (1974)"

Streaming Corona de lágrimas Online

Corona de lágrimas (1968)Corona de lágrimas (1968)iMDB Rating: 6.5
Date Released : 25 July 1968
Genre : Drama, Family
Stars : Marga López, Enrique Lizalde, Daniela Rosen, Carlos Cortés." />
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How I Won the War (1967)How I Won the War (1967)iMDB Rating: 5.8
Date Released : 23 October 1967
Genre : Comedy, War
Stars : Michael Crawford, John Lennon, Roy Kinnear, Lee Montague
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This film features former Beatle John Lennon and Roy Kinnear as ill-fated enlisted men in under the inept command of Lieutenant Earnest Goodbody. The story unwinds mostly in flashbacks of Lieutenant Goodbody who has lower-class beginnings and education which make him a poor officer who commands one of the worst units of the army.

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Review :

A different kind of war film

The first time I watched this film, it was because I was a big Beatles fan and wanted to see John Lennon's performance. I was in my teens and didn't understand much of what went on, but at least I made a valiant effort.

The second time I watched this film -- about a decade later -- it was because I was now a big Richard Lester fan and wanted to see if I understood a little more of what was going on; I did. A decade spent honing my sense of irony and a crash course in classic British comedy helped out there.

This film is right up there with "Dr. Strangelove" as far as black comedies about the insanity of war go. And any film where John Lennon gets to say, "Can I rub your ball, sir? It gives me great pleasure." is okay in my book.

Streaming The Incredible Paris Incident (1967) Online

The Incredible Paris Incident (1967)The Incredible Paris Incident (1967)iMDB Rating: 5.6
Date Released : 24 March 1967
Genre : Action, Adventure, Sci-Fi
Stars : Roger Browne, Dominique Boschero, Eduardo Fajardo, Nadia Marlowa. Argoman is practically invincible with powers beyond the scope of mortal man. Who is Sir Reginald Hoover, he seems to know what mission Argoman is involved with? Will Jenabell become the Queen of the World and achieve her wishes to outsmart Argoman?" />
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Argoman is practically invincible with powers beyond the scope of mortal man. Who is Sir Reginald Hoover, he seems to know what mission Argoman is involved with? Will Jenabell become the Queen of the World and achieve her wishes to outsmart Argoman?

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Review :

FANTASTIC ARGOMAN (Sergio Grieco, 1967) **1/2

I was vaguely aware of this superhero, flick but which I almost missed out on when it was shown earlier this week on late-night Italian TV given the misleading original title – which translates to HOW TO STEAL THE CROWN OF ENGLAND (a plot device which, while occurring twice during the course of the movie, is only a means to an end and not the villainess’ ultimate goal)! Anyway, this was one of a boom of Italian superhero/master criminal films (most of them emanating from the latter half of the 1960s) – apart from which, I was already familiar with the enjoyable KRIMINAL (1966; whose sequel, THE MARK OF KRIMINAL [1968], I watched on the strength of this), the obviously superior DANGER: DIABOLIK (1968), the surprisingly agreeable spoof ARRIVA DORELLIK (1967) and, much later, the truly lamentable THE PUMA MAN (1980).

Argoman’s alter-ego is Sir Reginald Hoover (Roger Browne) – a laid-back, womanizing criminologist living in a luxurious gadget-filled mansion and waited upon by his faithful Hindu servant (played by Spaniard Eduardo Fajardo); to put it another way, if Batman is the James Bond of superheroes, then Argoman would be their Matt Helm! Having said that, the outrageous costume notwithstanding (which features a cape and a slit in his mask similar to the armor worn by Gort, the robot from THE DAY THE EARTH STOOD STILL [1951]!), his superhero characteristics make him actually closer to Superman than Batman: as a matter of fact, he has sonar, telekinetic and magnetic powers!; however, these are depleted for six hours straight after every sexual encounter – which exasperates time-keeper Fajardo no end! The villainess, then, is a man-eating redhead (Dominique Boschero) typically obsessed with world domination – which she plans to accomplish via a precious diamond that, through the sun’s energy, is able to dissolve steel (consequently, having relocated from London to Paris, the French currency is soon in peril of being devalued!).

Unfortunately for Argoman, he always seems to happen on the scene at the wrong time – so that the Police (especially an incompetent Scotland Yard Inspector) mistakes him for the perpetrator of Boschero’s nefarious deeds! While generally entertaining, the plot gets a bit confusing in the second half – especially when dealing with a subplot in which Boschero hypnotizes a clutch of high-ranking officials to aid her cause, and also the kidnapping of Hoover/Argoman on a crowded bus. The film (re-edited in 1979 and re-issued simply as ARGOMAN) is nevertheless boosted by Piero Umiliani’s breezy score and the attractive locations. A regrettable occurrence in connection with the version I watched is that, for about a 10-minute stretch towards the end, the beat-up print turned completely to black-and-white!

Dakota Joe (1967)Dakota Joe (1967)iMDB Rating: 5.7
Date Released : 21 September 1967
Genre : Western
Stars : Claudio Undari, Fernando Sancho, Mirko Ellis, Gloria Milland." />
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Review :

Good Spaghetti and Chorizo Western co-produced between Spain and Italy , including a sympathetic acting by the great Fernando Sancho

This is an entertaining Zapata Western that packs stirring adventures , shootouts , riding chases , vengeance , treason and is pretty amusing . Paella/Ravioli Western starred by Dakota Joe (Robert Hundar) , he is a feared gunslinger , dedicated to rent his revolver to kill . And for that reason arrives in a ranch at Mexican border , called by the landowner Don Carlos (Mirko Ellis) , a rich man follower of President Porfirio Diaz and who attacks , rampage and pillage the peasants . Dakota is hired to kill the town doctor (Felix Dafauce) , a good man who helps poor and unfortunate people . So Dakota Joe decides not to carry out the assignment , and plans with Pedro (Fernando Sancho), an outlaw who ravages and sacks stagecoach , now working "honestly" to the wealthy man , stealing all the money saved in the latter safe . Furthermore , Don Carlos's brother (Francisco Moran) uses an old law which allows owner his feudal right of first night on the bride (Marta Reves) called ¨Ius Primae Noctis¨ after the wedding celebration , then occurs crossfire and subsequent vendetta . Meanwhile , there takes place Mexican Revolution with two bands , Emilio Zapata's supporters and Porfirio Diaz's followers . Dakota , then , decides to help the Zapatistas .

This forgotten S.W. packs thrills , action , and lots of shots and gunplay . There is plenty of action in the movie , guaranteeing shoot'em up , riding pursuits or stunts every few minutes . It deals with Dakota Joe , splendidly performed by the tall Robert Hundar , he is fine as the villain/hero of the story . Starring Robert Hundar is cool as a cold killer turned into a defender , he is enjoyable as the hero of the story . Hundar is very nice , he ravages the screen, he shoots , hits and runs , besides receives violent punches, kicks and wounds . The story is wrapped in the aura of Mexican revolution and an event on the metamorphosis of Dakota , a gunfighter turned into a hero . However , Fernando Sancho steals the spectacle as a likable Mexican with dark secrets , being magnificently interpreted by this veteran Spanish secondary actor . Worthwhile watching for a demonstration of the confrontation , with some looks that say it all , between Robert Hundar and his rival , the cruel owner well played by Mirko Ellis , also Spaghetti's ordinary . It's an exciting SW with breathtaking showdown between the protagonist Robert Hundar and the enemy hoodlums , including a thrilling ending when happens a showdown at a saloon between Dakota Joe and a surprising contender . In addition , there appears usual secondaries of Italian/Spanish Western , including customary actors as the femme fatal Gloria Marin , Jose Canalejas , Antonio Mayans , Simon Arriaga , Raf Baldassarre , among others. There are many fine technicians and nice assistant direction and excellent production design , a magnificent scenario on the villages , ranch , and barren outdoors , dirty landscapes under a glimmer sun and fine sets filmed in Almería, Andalucía , Spain . Evocative cinematography by Emilio Foriscot , showing marvelously the habitual Almeria outdoors . Angel Oliver supported by expert musician Coroliano Gori compose a vivid Spaghetti soundtrack and well conducted , including an awesome leitmotif ; it's full of enjoyable sounds and rousing score . Definitely a worthy topic but, well done correctly interpreted and euro-western of the first period which, although far from the postulates leonianos .

This is one of the uncountable Western that the producers pioneers (Jose Gutierrez Maesso , Eduardo Manzanos Brochero) were joined by other Spanish producers, among which the brothers Productions Balcázar Balcázar or IFISA Iquino Ignacio Farres who established around Barcelona (Esplugues City, Casteldefells) and Huesca, especially to shoot the exteriors, a new stable center for filming westerns. The Argentinian , nationalized Spanish writer/filmmaker Tulio Demicheli so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . This is his second S.W. and is superior than former and subsequent entries , as he directed other Gazpacho Western as ¨Tequila¨, ¨Arriba Sabata¨ and ¨Gunmen of Rio Bravo¨. Demicheli had a long , prolific career , working from the 40s , he directed all kind of genres as drama as ¨Herida Luminosa¨ , Thriller as ¨Ricco¨ , adventures as ¨Son of Captain Blood¨, ¨First adventure¨ , Spy sub-genre as ¨¨Il Nostro Agente a Casablanca¨, ¨Dirty game in Panama¨ , ¨Misión Lisboa¨ , Giallo as ¨Coartada en Disco Rojo or Two faces or fear¨ , Horror as ¨Monstruos De Terror or Assignment Terror" ¨ . His best movie was ¨Carmen of Ronda¨ with Sara Montiel . "Dakota Joe" USA title or "Man and a Colt" or ¨Un Hombre y Un Colt¨ resulted to be an above average Chorizo Western with an acceptable production , gorgeous cinematography , outstanding players and impressive musical score . Rating : 7 . Well worth watching .

Streaming El hombre de negro (1969) Online

El hombre de negro (1969)El hombre de negro (1969)Date Released : 17 April 1969
Genre : Western
Stars : Rodolfo de Anda, Narciso Busquets, Jorge Russek, Amadee Chabot." />
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C'era una volta (1967)C'era una volta (1967)iMDB Rating: 6.7
Date Released : 19 October 1967
Genre : Comedy, Fantasy, Romance
Stars : Sophia Loren, Omar Sharif, Georges Wilson, Leslie French. A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant. With the help of both witches and saints, Isabella conquers the heart of her Prince after..." />
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A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant. With the help of both witches and saints, Isabella conquers the heart of her Prince after many amusing events--including an outrageous dishwashing contest of the peasant against the Princesses.

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Review :

Wonderful fantasy w/2 beautiful people!

This fantasy is complete with a gorgeous prince, a beautiful woman, witches with cauldrons and paper moons hanging in the sky. The story is simple but very effectively showcases Omar Sharif and Sophia Loren. A lovely way to pass a couple of hours. Some scenes are so memorable I still recalled them several years after first seeing the film in 1967.

A must for my collection. Definitely not heavy going; light, fun, and great for the whole family.

Streaming Hillbillys in a Haunted House Online

Hillbillys in a Haunted House (1967)Hillbillys in a Haunted House (1967)iMDB Rating: 2.0
Date Released : 1 May 1967
Genre : Comedy, Family, Horror, Musical
Stars : Ferlin Husky, Joi Lansing, Don Bowman, John Carradine. Country singers on their way to Nashville have car trouble, forcing them to stop at an old haunted mansion. Soon they realize that the house is not only haunted, but is also the headquarters of a ring of international spies after a top secret formula for rocket fuel." />
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Country singers on their way to Nashville have car trouble, forcing them to stop at an old haunted mansion. Soon they realize that the house is not only haunted, but is also the headquarters of a ring of international spies after a top secret formula for rocket fuel.

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Review :

Ferlin Husky and Lon Chaney, Jr. do NOT sing a duet

Frankenstein met the Wolfman, and they both met Abbott and Costello, so why shouldn't country music greats Ferlin Husky and Merle Haggard meet Basil Rathbone and Lon Chaney, Jr? No reason a'tall. I was hoping for a real hoedown here, even though I'm not sure what a hoedown is. Well, actually, a hoedown seems to be a "square dance." At least that's what the Merriam Webster link on my toolbar came up with, in which case a hoedown isn't what I was hoping for, after all. A Ferlin Husky-Lon Chaney, Jr. duet on a country classic, perhaps "Your Cheatin' Heart," or something else from the pen of Hank Williams, would have been nice, but, alas, it was not to be. As a result, "Hillbillies in a Haunted House" fails to live up to its considerable potential. I suppose that for Basil Rathbone, who would die in the year of this film's release, appearing in this movie is no worse than doing an infomercial for a Helsinki baldness cure, which is what aged, down on their luck actors seem to do these days, although it would have been nice to see the screen's greatest Sherlock Holmes go out with more style than is evident here.

Killer Without a Face (1968)Killer Without a Face (1968)iMDB Rating: 4.1
Date Released : 20 July 1968
Genre : Horror, Mystery
Stars : Giuliano Raffaelli, Lawrence Tierney, Luigi Batzella, Anita Tedesco." />
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Review :

Tepid Italian proto-giallo/mystery.

When it comes to rare and forgotten gialli I want to see them all.So my next choice was "Assassino Senza Volto" aka "The Killer Without a Face".A series of murders happen in an old Italian castle.The unknown killer dispatches his victims by shooting them to death with a pistol.Barbara,the unhinged owner is the chief suspect.But not everything is quite as it seems...The film is set in the Balsorano Castle and is shot in expressionistic black-and-white.The action is pretty dull,albeit there are some mildly suspenseful stalking scenes.There are also a few interesting visuals on display here and there but on the whole "The Killer Without a Face" is far too slow moving to be of interest to most genre fans.5 out of 10.

Watch Gion matsuri Online

Gion matsuri (1968)Gion matsuri (1968)iMDB Rating: 6.9
Date Released : 12 February 1969
Genre : Drama
Stars : Kinnosuke Nakamura, Toshirô Mifune, Shima Iwashita, Yûnosuke Itô. Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration." />
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Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.

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Way... Way Out (1966)Way... Way Out (1966)iMDB Rating: 5.3
Date Released : 26 October 1966
Genre : Comedy, Sci-Fi
Stars : Jerry Lewis, Connie Stevens, Robert Morley, Dennis Weaver. The Americans and the Russians each have a two-person base on the moon. The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been using only male astronauts on the unspoken assumption that this would avoid any possibility of impropriety. The Russians, as godless Communists, are under no such constraints, and their male-female team has remained ..." />
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The Americans and the Russians each have a two-person base on the moon. The Americans have had to keep replacing their astronaut teams because they quickly go crazy; they have been using only male astronauts on the unspoken assumption that this would avoid any possibility of impropriety. The Russians, as godless Communists, are under no such constraints, and their male-female team has remained well-adjusted. At the start of the film, a male and female American astronaut team is sent up to replace the sex-starved all-male team. The government insists on them being married first to preserve morality. Most of the story revolves around the eventual consummation of this marriage of convenience, and around their relationship with their Russian neighbors, who keep casually dropping by.

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Review :

"Way Out "is Fluffy but Essential Sixties Viewing

We have VHS! So I rented it last night--first laid eyes on this gem back in '66 when I was ten years old. Ten year olds shouldn't see movies like this, hehe.

Jerry Lewis does less of his wacky character here, and tries playing it straight, not for gonzo laughs. He's nearly laid back compared to Robert Morley's curtain rattling performance as Jerry and Connie Stevens "first married couple on the moon. He's a handler like Leo G. Carroll was for Napoleon Solo in the Man From Uncle. Brian Keith appears several times in short inserts as a gruff-but-still-gruffer General who orders third act action where Jerry must "secure the moon".

Sure, all the sets are drenched in futuristic lighting as the story is set sometime after the Sixties, doesn't say when though. So in the background are cool concept cars of the future, during the Earth based scenes. You see solid patches of red and brilliant white furniture,(and very cool clear, plastic pillows), straight out of movies like "In Like Flint" or the British set designer for Sixties movies Ken Adam.

The Moon base location has cool looking pods for sleeping/working--and yes the patented "Batman"-style, big, blinking lights computers are strewn all over your eyeline, which I totally loved as a kid. Lighting-wise, the production simply pours all available light at all times during the indoor moon scenes, which has a television-feel about it; later verified by the technical names, especially Jack Martin Smith, who worked scores of sci-fi/fantasy pics during the Sixties for TV and low budget independents.

The film is super-sexy with tease galore supplied by Anita Ekberg's fab legs, shot from at least three angles during her opening house call on the American married couple living next door on the moon. There's all sort of adult-level innuendo that flew over my head at the time: things about wife swapping, watching two girls makeout on one's wedding night, and others that are cleverly enfolded into the dialog, some PC types of the Two-Thousands would call this "leering" and it probably is, hehe.

Dick Shawn as the Tarzan-like Russian counterpart to Jerry simply does his patented "thing" with grimacing and good accents. There's an extended sequence of everybody getting drunk and kinda swapping, which today's producers would be cutting out because bad things happen to people who drink to excess, right? --oh yeah everybody knows that. The drunk thing was big in the sixties for some reason. Dick Shawn's other picture that year "What Did You Do In The War, Daddy?" had him being drunk through days of story time.

Seeing this movie without any warning would certainly remind some of Austin Powers; it's inescapable really. However I saw this tonight with a 28 year old who reminded me, "Austin Powers got it's look from this, not the other way around"

Streaming Du bei dao Online

Du bei dao (1967)Du bei dao (1967)iMDB Rating: 7.6
Date Released : 26 July 1967
Genre : Action, Drama
Stars : Yu Wang, Chiao Chiao, Chung-Hsin Huang, Yin Tze Pan. An evil gang attacks the Chi school of Golden Sword Kung Fu. One student sacrifices his life to save his teacher and his school, his dying wish is that his son be taken in as a student. Young Fang Kang grows up in the school and treasures his father's broken sword and the memory of his father's sacrifice. The other students (including the teacher's daughter) resent him and try to drive him away. ..." />
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An evil gang attacks the Chi school of Golden Sword Kung Fu. One student sacrifices his life to save his teacher and his school, his dying wish is that his son be taken in as a student. Young Fang Kang grows up in the school and treasures his father's broken sword and the memory of his father's sacrifice. The other students (including the teacher's daughter) resent him and try to drive him away. The teacher's daughter challenges him to a fight and when he refuses she becomes enraged and recklessly chops off his arm! He retreats, broken and bloody, and is found by a young poor girl living alone who nurses him back to health. Meanwhile, the evil gang who originally attacked the Golden Sword school develops a weapon that renders the Golden Sword useless and starts killing off all of the schools students. Fang Kang eventually recovers with the girl's help but must now face a life with only one arm. Will he be able to recover and live to defend the school as his father did?

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Review :

one of the finest films ever

Given the bad reputation of Chinese martial arts films in general, plus the undeniable fact that many of these - including this one - use genre conventions originally developed for the popular stage (what has been called "Chinese Opera" is actually more analogous to American Vaudeville), it is only with considerable effort that an admirer if these films can persuade Americans to watch these movies, let alone appreciate them fully. But the point really is, that the directors of these films use what they have to portray the culture in which they live in a manner as completely cinematic as can be found in any national film tradition.

All this is a warm up to this: The One-Armed Swordsman is as masterful a film as Kurosawa Akira's Yojimbo.

I make this specific comparison because each film was made within a genre to which the film contributes genre-shattering innovation, while at the same time maintaining certain essential conventions that keep it safely within the genre. Thus Kurosawa's renegade ronin is a tough, cynical, manipulator of the various villains of the film, in a way even the most tragic hero of the Japanese samurai film (chambara) of the time could never be; nonetheless, he still manages to kill everyone at the end, much like all the other chambara heroes.

Similarly, Chang Cheh's One-Armed hero follows genre convention by performing super-human feats of skill (like leaving the imprint of his hand on a rock with a single blow), but just as a character, he is completely new.

The typical wu xia film of the time generally had an aristocratic hero; if he had no personal problems to deal with, he always wore white. If he had personal problems, he would drink heavily and dress like a mendicant monk. He was in utter thrall to whatever worthiest female was in his immediate vicinity; his cause was always to uphold the right, protect chastity, and further the well-being of the Chinese people as a whole. His one real defect (as a "type") was that he really liked fighting, which usually got him into trouble with those with similar enjoyments.

Chang Cheh's Feng Kong (as played by Wang Yu in what is his finest role) is not an aristocrat, but an orphaned son of a servant; he doesn't wear white, he wears black; remaining loyal to her father (his former teacher) he grows to hate the young lady who chopped off his arm (I certainly would) and grows attached to the dead warrior's daughter (with whom he sleeps without marriage) only after she has nursed him back to health - but he remains determined to control his own fate nonetheless. The future of the Chinese people doesn't interest him. Eventually, he abjures fighting and goes off to become a farmer.

As can be discovered from various interviews, Chang Cheh, in filming what is still his most completely realized vision, was perfectly aware that he was making such innovations. In fact, in terms of traditional Chinese culture alone, The One-Armed Swordsman comes across as a radical Confucian demand for recognition of merit above social status; and of the need for social stability over and against any desire for personal revenge.

Furthermore, Chang Cheh pulls this off in a manner utterly consistent with the social trends of the 1960s - Feng Kong is portrayed as an "angry young man" - the representative of an entire generation fed up with many of the myths of the old culture to which they have been indoctrinated. He is brazen, energetic, honest, and more than a little suspicious of old prejudices (which have never favored him anyway). And having been told that he was not "born worthy", he sets out to proves that he can learn self-sufficiency without the benefit of institutional education. He doesn't need to start a revolution - he IS a revolution.

Of course, if the general quality of the film as a whole were not utterly top-notch, this message would be meaningless. But the camera-work, supporting performances by the other actors, staging and direction, and most of the editing are all "world-class" - as good as anything coming out of Hollywood that decade, and better than any Hollywood film of the decade's latter half.

Let the genre conventions be what they are, and pay respect to one of the best films of its type - and perhaps one of the finest films ever made, world-wide.

Thompson 1880 (1968)Thompson 1880 (1968)iMDB Rating: 6.1
Date Released : 13 October 1966
Genre : Adventure, Romance, Western
Stars : George Martin, Gia Sandri, José Bódalo, Gordon Mitchell." />
Movie Quality : BRrip
Format : MKV
Size : 870 MB

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Review :

When the going gets tough

A western made during the boom of such movies in Italy, but quite an unusual one. It's not about revenge or a bag of gold, it's about a kind of economic struggle. The villain Brady (Paul Muller) asks his men to always obey the law, because guns are not as effective. He tries to control a town by building a monopoly, thus controlling the prices on all kinds of goods. This becomes difficult when Ray (George Martin) comes to town. He is unarmed, but invents the first machine gun, which gave the movie its title. Sheila (Gia Sandri) expects Ray to help her build up her own shop with lower prices. In opposite to most genre heroes, Ray is not keen on using a gun at all. But when Brady is increasingly afraid of losing his profits, the going gets tough, naturally. Great roles for José Bódalo as the drunken judge who loves to quote Shakespeare, Gordon Mitchell as a gunman with crippled hands and Pedro Sanchez as one of the bad guys.

Watch Dick Smart 2007 (1967) Online

Dick Smart 2007 (1967)Dick Smart 2007 (1967)iMDB Rating: 5.9
Date Released : 9 March 1967
Stars : Richard Wyler, Margaret Lee, Rosana Tapajós, Flavia Balbi." />
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Size : 870 MB

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Review :

Slightly above-average 60's Euro-Spy flick

Dick Smart is a womanizing secret agent who is so effective at his job, he gets 1 million dollars per mission as a reward. This time he is after a criminal organization, led by Lady Lister, that has found a way to turn carbon into diamonds - but only during the process of a controlled atomic bomb explosion. His investigation takes him to Rio, along with his nerdy (but still delicious) female assistant. This film pales in comparison to the James Bond outings of its era, but compared to some other 60's Euro-Spy flicks, it fares better. For one thing, it seems to have been made with a considerable budget behind it, allowing for some stunts and explosions completely missing from, say, "New York Calling Superdragon". Richard Wyler is OK in the title role: obviously he doesn't have the screen charisma of Sean Connery, but he is convincing enough in action (though some fight scenes are unnecessarily sped-up, possibly for comic effect). Margaret Lee is at her sexiest in this movie, and plays a pleasingly strong character. The script is kind of sloppy and sometimes the film jumps from scene to scene without much logic, but in this sub-genre, you could do much worse. (**)